Cut & Paste Records present this 12” of colossal electro from Swedish producer Joey FDH. Featuring two epic tracks on one side and DJ tools on the flip, the format provides heavyweight dancefloor fodder and original skratch sounds to land a knockout punch.

Joey FDH caught ears with her now-infamous “Beats For Skratching” series on Youtube – hard beats with inspired visuals which gave a much needed twist to the idea of scratch loopers as practice material for turntablists. Digging into her archives of electro and experimental Beats leads to a seemingly endless supply of music which spans a whole range of tempos and approaches, while maintaining Joey's unique personality and attitude. It wasn't long before her beats were regular features in performances from label-regulars like Skratchlords and Jimmy Penguin, who also started providing mastering services on many of Joey's releases.

“Disintegration” was created in 2017, and appeared on Joey's Youtube channel accompanied by a dark animated video, and struck a nerve when she included it in her set at Community Skratch Games in Galway in 2018. The track was then nearly lost on dead hard drive, but was miraculously recovered which tipped the balance and Joey decided to send the track to be mixed and mastered by Michael Deva at Aldebaran in Italy to really give it a new lease of life.

Meanwhile an updated music video concept was developed by Kano from Chile. Inspired by Põrgu (Hell), by Estonian animator Rein Raamat which in turn combined ideas from Eduard Viiralt''s older etched artworks from the early 1930s, there was already a strong theme of the darkest elements of human nature. Kano tells the story of the destruction of the Selk'nam people, which took place at the time of Viirault's haunting observations.

Side A showcases two electro tracks, Disintegration and Junction 3, building from deep hellish landscapes and rising to high energy dancefloor destruction. Joey FDH's signature sound lends itself as much to intense DJ performance as it does to foundational setlist curation.

For Side B Joey dug out samples and sound effects from her library that were edited into skipless loops for skratching by Symatic from Cut & Paste Records. Following a 4/4 pattern at a similar BPM to the electro beats on Side A, the audio tools are suited to regular and ultrapitch turntables. The side ends with a locked-groove reprise of the Disintegration beat, which will itself disintegrate over time the longer it is played.

Features

• Side A:
• Track 1: Disintegration
• Track 2: Junction 3
• Side B:
• Skipless Skratch Samples
• Disintegration (locked groove)

For more information, please visit the manufacturer's website.